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Running Wild

27 Apr

Last night Big Sis and I went to see this amazing play, an adaptation of Michael Morpergo’s 2009 novel about the Boxing Day Tsunami in Indonesia in 2004.  Lily Macready was riding Oona the 12-year old elephant along the beach, but she was behaving awkwardly, wanting to turn away from the flat calm waters, her flight or fight senses took hold and she took off deep into the rainforest as the devastating wave hit the shores taking the lives of many and destroying countless buildings.  The story details how Lily learns to understand Oona and how this majestic animal protects and guides her young charge. Stumbling into the dark dangerous world of greedy gun wielding animal hunters and bullying farmers burning the forest to plant plams to make the highly profitable palm oil (used in many products from soap and shampoo to cooking oils and convenience foods). Eventually stumbling into an animal sanctuary, sunburnt, shot, dehydrated and exhausted and being reunited with her Grandma.

I was not prepared for the play to be so dark and violent in places, something which noticeably upset the young children in the audience. The plot brought attention to the environmental plight of the region, the global zealous need for commodities and the cruel lengths the ruthless go to exploiting that market. 

Oona the elephant is mesmerising, her puppeteers seemingly effortlessly bring life to this charismatic character. The orangutans were lively, cheeky and the babies (being hunted to be sold as pets) were utterly mischievous. Even the tiny details as the fire flies were completely believable. There was a palpable gasp from the audience as the tiger was carried into the hunters camp, dead, valuable as a skin, a trophy, medicine, even though earlier we had seen the same tiger attempting to attack Lily and Oona. 

I would have liked Oona’s trumpet call to be a little louder, as compared to the volume and depth of the orangutans and forest noises it was almost overpowered. Also, we did not really get a sense of time Lily was missing, whether it was a couple of days or a couple of weeks.  But none the less it was a very engaging performance.

After coming home I took a look online to see if I could find out a bit more, and ended up confusing myself further. I thought the story was based on a true life event, although there was a story of a child being taken into the forest on the back of an elephant, Michael Morpergo’s book tells the tale of a boy called Billy, yet the play is a girl called Lily.  There was very little information about what Lily had experienced, or whether she stayed in Indonesia or returned to the UK, whether her father had died prior to the holiday and whether her Mother was killed in the Tsunami, key elements in the plot.

Never the less, I would recommend going to see the performance.

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8 Comments

Posted by on April 27, 2017 in Books, Life, people, Review

 

Tags: , , ,

8 responses to “Running Wild

  1. Bushka

    April 27, 2017 at 3:27 pm

    Awww….Thanks for sharing this Ann. Sounds superb. Worth going to see, I’m sure. Hugs!

    Liked by 1 person

     
  2. deacongill

    April 28, 2017 at 5:07 pm

    It sounds stunning!

    Liked by 1 person

     
  3. menhir1

    April 30, 2017 at 10:14 pm

    Lily, Billy, I wonder why the gender was so crucial to this presentation of the story. Why could there not have been both genders, say, Lily and Billy as siblings, for example. Only the directors are in a position to answer these queries I suspect.

    From what you describe, the work is based on a story by Michael Morpurgo rather than a tight following of the original work. You give a fascinating critique, irrespective of the questions the production may raise. The author’s works have made for a number of thought provoking and emotional theatre and film productions. e.g. War Horse being the really big one.

    xxx

    Liked by 1 person

     
    • AnneMarie

      April 30, 2017 at 10:21 pm

      I think Michael’s book was very very veery loosely based on Lily’s experience, used more as a plot platform.

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  4. menhir1

    May 1, 2017 at 10:18 am

    I does sound like that AnneMarie. Nonetheless, the process of the production doesn’t seem to have detracted from the audience absorption and enjoyment of the theatrical experience.
    xxx

    Liked by 1 person

     
    • AnneMarie

      May 1, 2017 at 3:44 pm

      I have since found it that the true life child was called Amber Owen and the elephant was called Ning Nong, in reality the parents found Amber and Ning Nong within hours of the tsunami hit. You are correct the play was very engaging and strong, but the billing and PR surrounding the play and it’s tour is misleading.

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  5. menhir1

    May 1, 2017 at 7:45 pm

    I guess ‘misleading’ can also be called artistic license, unless there was a total distortion about being ‘based on’. How off the wall was the PR; do you think that the public interest would have been the same without it?

    I doubt that Michael Morpurgo has disapproved of the actual production, maybe he should think about giving less of a free hand to the stage productions of his work, that is, unless he has performed the same artistic license for his exposition. I haven’t read his novel, so, I wonder if the play follows his own lines of fictional development. xx

    Liked by 1 person

     

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